Ash Ra Tempel

Schwingungen

Formats:
Gatefold LP Vinyl Ltd.
Condition:
New
Media:
Mint
Sleeve:
Mint
Cat No:
MG.ART 612
Availability:
In Stock
Price:
29.00 €
Label:
Available from:
05/11/2021
Decade:
70's
Description:

Ash Ra Tempel's record Schwingungen rereleased on Vinyl in celebration of its 50th anniversary, originally released in 1972 and considered today as one of the most important German krautrock albums. It contains as a bonus the original release info from 1972 (Ohr/Metronome).

 

Read Julian Cope's review in his book Krautrocksampler (Publisher: Head Heritage, 1995):

"Beware of Schwingungen!" That should be the large sticker on the front of all copies of this record. For it isdangerous to be casually introduced to something that is life-changing, as I found out to my cost when first listeningto this record. It all starts fairly simply and without any cause for alarm - "Look at Your Sun" begins with a Doorsylone groover guitar begins a pedestrian blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten andTiny Tim, preaches its way into the proceeds. God, it is beautiful - John L. repeats over and over, "We are all one, weare all one", until a howling fuzztone solo guitar blows the whole onechord "Signed D.C." ringing-cymbals torture to anend. And then the most far out track of all begins. This is called "Flower Must Die" and it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it's like the Stooges' Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. "Flowers Must Die", man, it's fucked up. Over on Side 2, the title-track ("Vibrations") begins poetically enough with Wolfgang Muller's epic and hugely reverbed vibraphone. Organ fades in and FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally materialises - this is the one that Göttsching and Enke believed was the sound of heaven. They may have been right. And Schwingungen was a gift from the Gods."